ARCH 68
913
Rebuilding and alterations to turn the former Thonet furniture factory, built in 1892, into a museum with a café-restaurant and a museum shop
Total area: c. 4.000 m2
Exhibition area: c. 1.400 m2
Model 1:20: Alfred Schmid, 1989
Start of construction: 1989
Inauguration: April 9, 1991
1989 - 1991
Untere Weißgerberstraße 13, 1030 Wien / Vienna, Österreich / Austria
Peter Pelikan
Suitable premises for a permanent exhibition of Hundertwasser's painting were found in the third district of Vienna, the building of the former furniture factory of the Thonet Brothers, built in 1892. The size of the building made it possible, not only to establish the Hundertwasser museum, but also to include space for alternating exhibitions of international stature in the planning.
The reconstruction, which involved integrating two buildings, was carried out from 1989 to 1991, with the Bank for Labour and Business (BAWAG) under its General Director Walter Flöttl, acting as building sponsor.Hundertwasser was careful to leave the old buildings substance untouched as far as possible. Towards the street, a porch was added whose windows provide additional light to the exhibition spaces; on the courtyard side a stairwell was added.
On April 9, 1991 KunstHausWien was officially opened; it was managed as a private enterprise, without any public funding or tax payers money from 1991 to 2008. Since 2008 KunstHausWien is one of four museums of Wien Holding.
The total space comes to about 4,000 sqm. On the ground floor there are the museum shop and a café-restaurant, apart from the cashier's and coat-check spaces.
On the first two upper floors a cross-section of Hundertwasser's oeuvre is on display, including painting, original graphics, tapestries and architectural models. The third and fourth floors are reserved for the international museum exhibitions.
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- Contemporary Great Masters: Hundertwasser, Tokyo, 1993, pl. 78-81 (c)
- Friedensreich Hundertwasser, Frankfurt, 1995, p. 5 (c)
- Hundertwasser Haus, Vienna, 1995, pp. 76/77 (c)
- Hundertwasser Architektur, Cologne, 1996, pp. 164-181 (and c), 314 (c) and ed. 2006, pp. 132-145 (and c), 304 (c), 313
- P. Restany, Die Macht der Kunst, Hundertwasser - Der Maler-König mit den fünf Häuten, Cologne, 1998, p. 51 (c) and ed. 2018, p. 49 (c)
- R. Schediwy, Hundertwassers Häuser, Vienna, 1999, pp. 36 (c), 45 (c), 48 (c), 241
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- Travelling exhibition 2006: Japan, pp. 113-115 (c)
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- Centre de la Vieille Charité, Marseille, 2012, p. XXV (c)
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- Visitor Guide / Dossier de Visite, Quartier Libre SIG, Geneva, 2015, p. 7 (c)
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- T. Igarashi, Art + Architecture, Tokyo, 2015, p. 219 (c)
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- Austria Holiday, Seoul, 2016, p. 169 (c)
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- Rendezvous Wien, no. 2, Summer 1991, Vienna, cover (c), p. 4 (c)
- Winter Scenes (German, French, English, Dutch, Japanese, Spanish, Italian versions), winter 91/92, 1991, Vienna, pp. 4/5 (c)
- R. Lautenschläger, "Die zweite bunte Haut (I)", VfA Profil, das architektur-magazin, nr. 8, Aug. 1992, Oldenburg, pp. 15 (c), 18 (c)
- Rival, no. 2-3-4, 1992, Rieka, p. 126 (b)
- BAWAG revue, no. 1, 1994, Vienna (b)
- ARCHITEKT, nr. 10, 1994, Prague, p. 8 (c)
- wind, world interior design, nr. 28, 1994, Tokyo, pp. 14-19 (c)
- besser WOHNEN, Die österreichische Wohnzeitschrift, nr. 5, Mai 1995, p. 66 (c)
- Wiener Blatt, no. 12, 1995, Vienna, p. 8 (b)
- RESIDENCE, no. 12, Dec. 1997, Amsterdam, pp. 103-105 (c)
- UNO & Society Magazin, no. 301, 1997, Vienna, p. 46 (c)
- Esotera, April, 1997, Fribourg, p. 49 (c)
- Art & Music News, 1998, Vienna, pp. 19 (c), 21 (c)
- ANNO, no. 2, 1998, Best, p. 53 (c)
- matka Media, no. 7, March, 1998, Helsinki, pp. 48 (c) , 51 (c)
- morgen, no. 119, June 1998, Vienna, p. 50 (b)
- ArchideA, no. XVIII, 1998, Krommenie, cover (c), p. 5 (c)
- wwt mit awt, no. 6, September, 1998, Berlin, pp. 1 (detail, c), 9 (detail, c)
- Asian Business Traveller's Magazine, 1999 (c)
- Vernissage, no. 5/6, 1999, Amsterdam, pp. 4 (c), 19 (c), 20 (b), 23 (c)
- Leven in Stijl, no. 2, May, 2000, Belgium, p. 40 (c)
- Impression, no. 480, May, 2000, Japan, pp. 45 (c), 47 (c)
- Homeliving and Style, no. 7, 2000, Korea (c)
- Wien Exclusiv MAGAZIN, Spring/Summer, 2000, Vienna, pp. 8 (c), 64 (detail, c)
- Bonton, Vol. VII, Oct. 2000, Budapest, pp. 72 (c), 74 (c)
- viva, no. 4, Oct.- Dec. 2000, Rockford, p. 90 (c)
- Meridiani Vienna, no. 94, Dec. 2000, Rozzano, p. 129 (c)
- Développeurs & Promoteurs Immobiliers, no. 5, April 2001, Paris, pp. 38/39 (c)
- Wingspan, no. 386, August, 2001, Tokyo, pp. 28-29 (c), 48-51 (details, c)
- Internationale Medien über Wien, Wien, 2001, cover (c)
- Arkitekton, no. 2, Milano, 2001, pp. 103 (c), 108 (c), 109 (c)
- Kpacuble goma - Beautiful Houses, no. 25, 2001, Moscow, pp. 108 (c), 110 (c), 113 (c)
- in Viaggio Austria neve, Milano, 2003, p. 147 (c)
- Universum, no. 7/8, July/August 2003, Herzogenburg, p. 90-91 (b)
- Controspazio, no. 108, March/April 2004, pp. 71-73 (c)
- Oiko, 2004, Greece, cover (c), p. 33 (c)
- negocio a negocio, no. 7, 2005, p. 68 (c)
- TDC, n. 933, April 2007, Montrouge, p. 42 (c)
- Abitare la Terra, no. 20, inverno 2007, Rome, cover (c) and pp. 40/41 (c)
- Departures, vol. 21, Dec. 2007, New York, pp. 162/163 (c)
- Deutsch perfekt, December 2008, Planegg, p. 5 (c)
- Pm - pedagogiska magasinet, no. 1, February 2008, Stockholm, cover (c), p. 3 (c)
- Decor, October, 2009, Kiev/Ukraine, p. 166 (c)
- Jollyclub - Das Magazin für Jollyfans, no. 7, 2010, Vienna, p. 7
- Praxis Grundschule, no. 5, September 2010, Braunschweig, pp. 45 (c) and 48 (c)
- The Tasteful Magazine, no. 37, 2011, Kiev, p. 92 (c)
- Dom Index Magazine, May/June 2011, Kiev, p. 55 (c)
- Dachlandschaften gemeinschaftlich nutzbar, 2012, Munich, p. 22 (c)
- Villa d'Arte, no. 1, February/March 2013, Nieuw-Vennep, p. 76 (c)
- ANA Inflight Magazine, no. 552, June 2015, pp. 7, 82-87 (c)
- ANA Inflight Magazine, no. 553, July 2015, p. 81 (c)
- Bilim Cocuk, Ankara, 2015, p. 31 (c)
- Das Wiener Museumskleeblatt, 2017, Vienna, pp. 30-35 (and c)
- Hundertwasser Agenda 1996, Borer & Wörner, Zug (Poster)
- Hundertwasser Diary 1997 and Hundertwasser Directory, Borer & Wörner, Zug, 1996 (Photo: Christa Kreuter)
- Hundertwasser Diary 1998, Borer & Wörner, Zug (Photo: Christa Kreuter)
- Calendar: Hundertwasser Architektur 2003, teNeues, Kempen
- Calendar: Hundertwasser Häuser 2004, Kreuter Foto Kalender, Braunschweig
- Calendar: Hundertwasser Architektur 2004, B. Wörner, Zug
- Calendar: Hundertwasser Architektur 2004, Borer & Wörner Verlag, Zug
- 2004 Hundertwasser Diary Jahrbuch, Borer & Wörner, Zug
- Calendar: 2004 Hundertwasser Architektur Jahresplaner, Borer & Wörner, Zug
- Calendar: Hundertwasser Architektur 2004, teNeues, Kempen
- CD Cover, Mad Moon Records, Öhringen-Büttelbronn, 2005
- Hundertwasser Pocket Art Address book, Borer & Wörner, Zug, 2006
- Hundertwasser Pocket Art Perpetual Calendar, Borer & Wörner, Zug, 2006
- Calendar, Hundertwasser Architecture 2007, teNeues, Kempen
- Calendar, Hundertwasser span-a-year Architecture Calendar 2007, Borer & Wörner, Zug
- Calendar, Hundertwasser stripe Architecture Calendar 2007, Borer & Wörner, Zug
- Calendar, Hundertwasser Architecture 2008, teNeues, Kempen
- Calendar, Hundertwasser Architecture, Verlag Foto Pultar, Vienna, 2007
- Invitation card, Veniamin Metenkov Fotomuseum, Jekaterinburg, 2007
- Exhibition poster, Veniamin Metenkov Fotomuseum, Jekaterinburg, 2007
- Calendar, Hundertwasser Jahrbuch 2008, Borer & Wörner, Zug
- Calendar, Hundertwasser Architecture, Borer & Wörner, Zug, 2008
- Calendar, Hundertwasser Pocket Art 2008, Borer & Wörner, Zug
- Calendar, Hundertwasser Jahresplaner 2008, Borer & Wörner, Zug
- Hundertwasser span-a-year Architecture Calendar 2009, Wörner, Rutesheim
- Calendar, Hundertwasser Architecture 2009, Wörner, Rutesheim
- Calendar, Hundertwasser Architecture 2009, teNeues, Kempen
- Calendar, Hundertwasser Art 2009, teNeues, Kempen
- Hundertwasser Vertical Wall Calendar Architecture 2009, Wörner, Rutesheim
- Calendar, Hundertwasser Architecture 2010, Wörner, Rutesheim
- Hundertwasser Vertical Wall Calendar Architecture 2010, Wörner, Rutesheim
- Hundertwasser span-a-year Architecture Calendar 2010, Wörner, Rutesheim
- Calendar, Hundertwasser Architecture 2010, teNeues, Kempen
- Calendar, Hundertwasser Art 2010, teNeues, Kempen
- Calendar, Hundertwasser Architecture 2011, Wörner, Rutesheim
- Hundertwasser Vertical Wall Calendar Architecture 2011, Wörner, Rutesheim
- Hundertwasser span-a-year Architecture Calendar 2011, Wörner, Rutesheim
- Calendar, Hundertwasser Art 2011, teNeues, Kempen
- Calendar, Hundertwasser Art 2012, teNeues, Kempen
- Calendar, Hundertwasser Architecture 2012, Wörner, Rutesheim
- Hundertwasser span-a-year Architecture Calendar 2012, Wörner, Rutesheim
- Hundertwasser Vertical Wall Calendar Architecture 2012, Wörner, Rutesheim
- Wrapping for chocolate by Zotter for Edition KunstHausWien MuseumShop, Vienna, 2012
- Hundertwasser Vertical Wall Calendar Architecture 2013, Wörner, Rutesheim
- Hundertwasser span-a-year Architecture Calendar 2013, Wörner, Rutesheim
- Art print, Wörner, Rutesheim, 2013 (48 x 48 cm)
- Post card, Wörner Verlag, Rutesheim, 2013 and repr. 2017 (AK-004)
- Art + Architecture International Calendar, Wörner, Rutesheim, 2013
- Hundertwasser span-a-year Architecture Calendar 2014, Wörner Verlag, Rutesheim
- Calendar, Hundertwasser Architecture 2014, Wörner Verlag, Rutesheim
- Hundertwasser Vertical Wall Calendar Architecture 2014, Wörner Verlag, Rutesheim
- Calendar, Hundertwasser Architecture 2015, Wörner Verlag, Rutesheim (cover)
- Hundertwasser Vertical Wall Calendar Architecture 2015, Wörner Verlag, Rutesheim
- Hundertwasser span-a-year Architecture Calendar 2015, Wörner Verlag, Rutesheim
- Hundertwasser Slim Architecture Calendar 2016, Wörner Verlag, Rutesheim (detail)
- Calendar, Hundertwasser Architecture 2016, Wörner Verlag, Rutesheim (detail)
- Hundertwasser square Architecture Calendar 2016, Wörner Verlag, Rutesheim (c, detail)
- Wrapping for chocolate by Demel for Edition KunstHausWien MuseumShop, Vienna, 2015
- Calendar, Hundertwasser Architecture 2017, Wörner Verlag, Rutesheim (detail)
- Calendar, Hundertwasser Architecture 2017, Wörner Verlag, Rutesheim (square size) (cover and inside, details)
- Hundertwasser Vertical Wall Calendar Architecture 2017, Wörner Verlag, Rutesheim (cover and inside, details)
- Hundertwasser span-a-year Architecture Calendar 2017, Wörner Verlag, Rutesheim (detail)
- Hundertwasser span-a-year Architecture Calendar 2017, Wörner Verlag, Rutesheim (detail)
- Post card, Wörner Verlag, Rutesheim, 2017 (AK-039)
- Calendar, Hundertwasser Architecture 2018, Wörner Verlag, Rutesheim (square size) (detail)
- Calendar, Hundertwasser Architecture 2018, Wörner Verlag, Rutesheim (square size) (detail)
- Hundertwasser Vertical Wall Calendar Architecture 2018, Wörner Verlag, Rutesheim (detail)
- Calendar, Hundertwasser Architecture 2018, Wörner Verlag, Rutesheim (detail)
- Hundertwasser span-a-year Architecture Calendar 2018, Wörner Verlag, Rutesheim (detail)
- Calendar, Hundertwasser Architecture 2019, Wörner Verlag, Rutesheim (detail)
- Calendar, Hundertwasser Architecture 2019, Wörner Verlag, Rutesheim (square size) (detail)
- Hundertwasser span-a-year Architecture Calendar 2019, Wörner Verlag, Rutesheim (detail)
- Hundertwasser Vertical Wall Calendar Architecture 2019, Wörner Verlag, Rutesheim (detail)
Hundertwasser's comment on the work
The Role of KunstHausWien
The KunstHausWien is fully aware of its role in the heart of Europe, and in an effort similar to that of the Vienna Secession some 100 years ago, strives for a renewal of relationship in harmony with the creativity of nature and man.
Art must meet its purpose.
Art must show its colours.
Does art support or fight creation?
Is art for or against man?
Art must meet man's and nature's pace.
Art must respect nature and the laws of nature.
Art must respect man and man's inspiration for true and durable values.
Art must again be a bridge between the creativity of nature and the creativity of man.
Art must regain its universal function for all and not be just a fashionable business for insiders.
The KunstHausWien is a bastion against the dictatorship of the straight line, the ruler and T-square, a bridgehead against the grid system and the chaos of the absurd.
The KunstHausWien stands up for an art and an architecture in harmony with creation that mankind has been waiting and longing for.
Art must free itself from the ties of guided intellectual tutorship.
Art should not suffer speculation and cultural industrialization.
Art should not endure dogmatic enslavement through negative theories.
Europe's and the world's liberation from oppressive dictatorships has to be followed by a liberation of creation in all its aspects from a worldwide oppression by a political cultural dictatorship still in power.
In quest for a new orientation in the light of the rising awareness of a changed relationship between man and nature we are convinced of the mission of art at the threshold into the new millennium.
Art must have a purpose.
Art must create lasting values.
The courage to strive for beauty in harmony with nature.
The task of KunstHausWien is to achieve these goals.
Hundertwasser, October 1990