201
MANICA DI CAMICIA
HEMDÄRMELSCHNITT
Shirt-sleeve Pattern
1969
Painted in Florence, Casa Bargellini, October 16, 1954
Painted over in January, 1969
Painted over in January, 1969
610 mm x 730 mm
Watercolour on wrapping paper in the form of a tailor's pattern, primed with chalk, zinc white and fish glue, painted over with mixed media
KunstHausWien, Vienna
- Galleria del Naviglio, Milan, 1955
- Galerie Änne Abels, Cologne, 1963
- *
- Travelling exhibition 1964/65:
- Kestner-Gesellschaft, Hanover, 1964
- Kunsthalle Bern, 1964
- Karl-Ernst-Osthaus-Museum, Hagen, 1964
- Stedelijk Museum, Amsterdam, 1964
- Moderna Museet, Stockholm, 1965
- Museum des 20. Jahrhunderts, Vienna, 1965
- *
- World Travelling Museum Exhibition:
- Helsingin kaupungin taidemuseo, Helsinki, 1981
- Sala Dalles, Bucharest, 1982
- Schipka gallery, Sofia, 1981/82
- *
- Artcurial, Paris, 1982
- Artcurial, Munich, 1983
- Stichting Veranneman, Kruishoutem, 1987
- KunstHausWien, Vienna, April 1991 - October 2016
- Sejong Museum of Art, Seoul, 2016/17
- KunstHausWien, Vienna, since April 19, 2017
- Hundertwasser, Regentag - Rainy Day - Jour de pluie, Munich, 1972, pp. 57 (c, original version, photomontage), 85
- W. Schmied, Hundertwasser, Salzburg 1974, pl. 46 (c), p. 314
- H. Rand, Hundertwasser - Der Maler, Munich, 1986, pl. 41 (c, original version), p. 165
- H. Rand, Hundertwasser, Cologne, 1991, p. 61 (c) and ed. 1993, p. 51 (c)
- Contemporary Great Masters: Hundertwasser, Tokyo, 1993, pl. 15 (c), p. 113
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 277/278 (and c)
- Galerie Änne Abels, Cologne, 1963, pl. 5 (c)
- Kestner Gesellschaft, Hanover 1964, pp. 129, 134 (c)
- Moderna Museet, Stockholm, 1964, cat. 34
- Museum des 20. Jahrhunderts, Vienna, 1965, cat. 44, p. 25 (c)
- Hammerlunds Kunsthandel, Oslo, 1965, cat. 16
- Artcurial, Paris, 1982, pp. 16 (c), 48
- Hundertwasser, The Green City, Sejong Museum of Art, Seoul, 2016, pp. 54 (c), 252
- A. Feige / M. Hansmann / E. Saling (ed.), Pränatal- und Geburtsmedizin, Mühlheim/Ruhr 1994 (1992 congress programme and report, cover, c)
- L'Oeil, no. 327, Oct. 1982, Lausanne, p. 44 (c)
- Kronen Zeitung, Nov. 10, 2002, Vienna, pp. 48/49 (c)
- Pm - pedagogiska magasinet, no. 1, February 2008, Stockholm, p. 28 (detail, c)
- Cicero Art Calendar 1975 (415 x 500 mm, October)
- DuMont's Großer Kunstkalender, 1976 (375 x 445 mm cover, 322 x 387 mm March)
- Welzkalender, Hundertwasser 1979, (January) (b)
- Art Calendar 1984, by Wörner
- Hundertwasser Art Agenda, by Cicero Art International, 1987, Stuttgart
- Hundertwasser Art Agenda 1988, Caesar Art International, Stuttgart
- Hundertwasser Art Agenda 1989, Caesar Art International, Stuttgart
- Hundertwasser Art Jahrbuch 1991, Caesar Art International, Stuttgart
- Hundertwasser Art Agenda 1990, Caesar Art International, Stuttgart
- Hundertwasser Art Memo, Caesar Art International, Stuttgart
- Hundertwasser 2012 Calendar, Taschen, Cologne (and reprints)
Hundertwasser's comment on the work
I often paint a picture over years later. So the time of its creation can range somewhere from one hour to thirty years. Often I no longer know what the motive for the picture was years ago, since in the meantime completely different things have been on my mind. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 277)