634
MARTA SPATRI SVEHO PRITELE
MARTA DISCOVERS HER FRIEND
MARTHE APERCOIT SON AMI

Mixed media
Venice, 1966
Painted in Venice, October 1966
820 mm x 1320 mm
Mixed media: watercolour, egg tempera, PV, oil, aluminium, gold and copper bronze on drawing paper, primed with chalk and PV; mounted on hemp with PV
  • Travelling exhibition 1967:
  • Galerie Karl Flinker, Paris, 1967
  • Hanover Gallery, London, 1967
  • Galerie Krugier / Galerie Georges Moos, Geneva, 1967
  • Kunstverein Berlin, 1967
  • Aberbach Fine Art, New York, 1976
  • *
  • World Travelling Museum Exhibition:
  • Musée Dynamique, Dakar, 1976
  • Seibu Museum of Modern Art, Tokyo, 1977
  • Yokohama Citizen's Gallery, 1977
  • Hong Kong Museum of Art, 1977
  • South African National Gallery, Cape Town, 1977
  • Pretoria Art Museum, 1977
  • Museu de Arte Moderna, Rio de Janeiro, 1977
  • Museu de Arte, São Paulo, 1977
  • Museo de Bellas Artes, Caracas, 1977
  • Museo de Arte Moderno, Mexico City, 1978
  • Musée des Beaux-Arts, Montreal, 1978
  • Royal Ontario Museum, Toronto, 1978
  • Palais des Beaux-Arts, Brussels, 1978
  • Mücsarnok, Budapest, 1978
  • *
  • Travelling exhibition 1979-1981:
  • Aberbach Fine Art, New York, 1979
  • Tokyo Gallery, Tokyo, 1980
  • Galerie Brockstedt, Hamburg, 1980
  • Art Fair, Basel, 1979
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 512/513 (and c)
  • Galerie Karl Flinker, Paris, 1967 (c)
  • Hanover Gallery, London, 1967 (c)
  • Galerie Krugier / Galerie Georges Moos, Geneva, 1967 (c)
  • Kunstverein Berlin, 1967 (c)
  • The Tel Aviv Museum, 1976, p. 219 (c)
  • Seibu Museum of Modern Art, Tokyo, 1977, p. 219 (c)
  • Leaflet, Seibu Museum of Modern Art, Tokyo, 1977 (c)
  • South African National Gallery, Cape Town / Pretoria Art Museum, 1977, p. 219 (c)
  • Museu de Arte Moderna, Rio de Janeiro / Museu de Arte, São Paulo / Palácio Itamaraty, Brasilia, 1977, p. 219 (c)
  • Museo de Bellas Artes, Caracas, 1977, p. 219 (c)
  • Supplementary edition Caracas, 1977, cat. Grabados 52
  • Museo de Arte Moderno, Mexico City, 1978, p. 219 (c)
  • Royal Ontario Museum, Toronto, 1978, p. 219 (c)
  • Museo Español de Arte Contemporáneo, Madrid, 1979, cat. 138, p. 27 (b)
  • Palazzo Barberini, Rome, 1980, p. 219 (c)
  • Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Høvikodden, 1980, p. 219 (c)
  • Helsingin kaupungin taidemuseo, Helsinki, 1981, p. 219 (c)
  • Barbican Art Gallery, London, 1983, p. 219 (c)
  • I. Cankar, Der Knecht Jernej, Vienna, 1970 (c)
  • A. Comini, The Fantastic Art of Vienna, New York, 1978, pl. 39 (c)
  • Mizue, no. 863, Feb. 1977, Tokyo, p. 62 (c)
  • Postcard, Galerie Krugier / Galerie Georges Moos, Geneva, 1967
  • Coloured collotype print, Ganymed Press, London, 1967, printed by Max Jaffé, Vienna (69 x 100/56 x 90 cm)
  • Postcard, 1971
  • Art Agenda 1979, Cicero GmbH, Stuttgart
  • Art Calendar 1979, Hundertwasser, Cicero GmbH, Stuttgart (October, groß)
  • Art Agenda, Hundertwasser 1980, Cicero GmbH, Stuttgart
  • Art Calendar, Hundertwasser 1982, Verlag Galerie Welz, Salzburg (November)
  • Hundertwasser Art Agenda, by Caesar Art International, 1987
  • Hundertwasser Art Agenda 1988, Caesar Art International, Stuttgart
  • Hundertwasser artclou 1989, Caesar Art International, Stuttgart
  • Hundertwasser Art Jahrbuch 1992, Caesar International Art, Stuttgart
  • Fund rising record for the Day Care Centre in Heddernheim, limited edition of 1000 offsetlithos in six colours and two metal imprints, ed. by Die Galerie, Offenbach 1992 (340 x 420/235 x 375 mm)
  • Art Calendar 1994, Verlag Galerie Welz, Salzburg (May)
  • Hundertwasser 2004 Calendar, Taschen, Cologne
  • 2004 Hundertwasser Diary Jahrbuch, Borer & Wörner, Zug