Drawing the line, manifesto and letter to Director von Oppen
Painted with red and black pigment and PV; an uninterrupted line of about 10 km over walls, doors und windows of Hundertwasser's guest lecturer classroom rising in layers of spirals on the walls. In collaboration with the poets Bazon Brock and Herbert Schuldt, also for the manifesto; short cooperation with the astrologer Wilhelm Wulff and Siegfried Poppe and a few students. On December 19, in the evening, the continuation of the line was forbidden by the director of the Art Institute. A few days later it was scraped off and painted over. A small section of it remained on the cover of a recess.
On the occasion of the exhibition "Friedensreich Hundertwasser: Against the Grain. Works 1949-1970" in the Kunsthalle Bremen a reenactment of this event took place and started on October 17, 2012, at 3.11 pm - October 19, 2012, c. 8 pm. In the spirit of the original and in close collaboration with Bazon Brock a line was generated in an uninterrupted session lasting more than fifty hours - before the opening of the exhibition -, transforming a large gallery in the Kunsthalle into an endless spiral and a spectacular environment.
Executers were the students of Joachim Hofmann of the course of studies "digital media" of HfK Bremen.
- KunstHausWien, Vienna, 2011
- Kunsthalle Bremen, 2012/13 (reenactment)
- Österreichische Galerie Belvedere, Orangerie, Vienna, 2013
- Cobra Museum, Amstelveen, 2013/14
- ZKM Karlsruhe, 2014
- Nationalgalerie, Prag, 2015
- W. Schurian (ed.), Schöne Wege, Munich, 1983, pp. 126-135, 264 (b)
- Das Hundertwasser Haus, Vienna, 1985, p. 52/53 (b)
- H. Rand, Hundertwasser, Cologne, 1991, p. 95 (b) and ed. 1993, p. 79 (b)
- Hundertwasser Architektur, Cologne, 1996, p. 53 (b) and ed. 2006, pp. 38-40 (and b), 311
- P. Restany, Die Macht der Kunst, Hundertwasser - Der Maler-König mit den fünf Häuten, Cologne, 1998, p. 27 (b) and ed. 2018 pp. 26-27 (b)
- R. Schediwy, Hundertwassers Häuser, Vienna, 1999, p. 240
- W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, pp. 20 (b), 86/87 (and b)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, p. 1176 (b)
- F. Hundertwasser / P. Restany, Hundertwasser, New York, 2008, p. 60 (c)
- G. Illetschko, Planet Hundertwasser, Munich, 2012, pp. 42-43 (b)
- Kestner-Gesellschaft, Hanover, 1964, p. 184
- Haus der Kunst, Munich, 1975, pp. 122-124 (and b)
- Travelling exhibition DAM, 2005/06, p. 100 (b)
- A Magical Eccentric, Szépmüvészeti Múzeum, Budapest, 2007, p. 25 (b)
- Der unbekannte Hundertwasser, KunstHausWien, Vienna, 2008, p. 24 (b)
- HW-Die Kunst des grünen Weges, KunstHausWien, Vienna, 2011, pp. 71-79 (and b, c) and Back end-papers (b)
- Leaflet, Kunsthalle Bremen, 2012/13 (b)
- Gegen den Strich. Werke 1949-1970, Kunsthalle Bremen, 2012/13, cover (b), pp. 85 (b), 152-153 (b), 156-157 (b), 159 (b), 164-169 (and b, c), 204 (b)
- Hundertwasser, Japan und die Avantgarde, Österreichische Galerie Belvedere, Orangerie, Vienna, 2013, pp. 95 (b), 166 (c), 167-175 (and b)
- ARKEN Museum of Modern Art, Ishoj, 2014, pp. 22/23 (c)
- P. Weibel (ed.), Beuys - Brock - Vostell, ZKM - Museum für Neue Kunst, Karlsruhe, 2014 & publication: Ostfildern, 2016, pp. 48-51 (and c+b)
- World Travelling Museum Exhibition:
- Musée d'Art Moderne de la Ville de Paris, 1975, pp.185-203 (and b,c)
- Musée de L'Etat, Luxembourg, 1975, pp. 498-518 (and b,c)
- Musée Cantini, Marseille, 1975, pp. 498-518 (and b,c)
- A.S.U. Hall, Cairo, 1975, pp. 498-518 (and b,c)
- The Tel Aviv Museum, 1976, p. 450-467 (and b,c)
- National Gallery of Iceland, Reykjavik, 1976, pp. 420-435 (and b,c)
- Statens Museum for Kunst, Copenhagen, 1976, p. 184-205 (and b,c)
- Musée Dynamique, Dakar, 1976, pp. 184-205 (and b,c)
- Seibu Museum of Art, Tokyo, 1977, pp. 450-467 (and b,c)
- South African National Gallery, Cape Town/Pretoria Art Museum, 1977, pp. 450-467 (and b,c)
- Museu de Arte Moderna, Rio de Janeiro/Museu de Arte, Sao Paulo/Palácio Itamaraty, Brasilia, 1977, pp. 450-467 (and b,c)
- Museo de Bellas Artes de Caracas, 1977, pp. 450-467 (and b,c)
- Museo de Arte Moderno, México City, 1978, pp. 450-467 (and b,c)
- Musée des Beaux-Arts de Montréal, 1978, pp. 184-205 (and b,c)
- Royal Ontario Museum, Toronto, 1978, pp. 450-467 (and b,c)
- Palais des Beaux-Arts, Brussels, 1978, pp. 184-205 (and b,c)
- Palazzo Barberini, Rome, 1980, pp. 450-467 (and b,c)
- Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Hovikodden, 1980, pp. 450-467 (and b,c)
- Museum Ludwig, Cologne, 1980, pp. 120-133 (and b,c)
- Secession, Vienna, 1981, pp. 120-133 (and b,c)
- Kulturhaus, Graz, 1981, pp. 120-133 (and b,c)
- Helsingin kaupungin taidemuseo, Helsinki, 1981, pp. 450-467 (and b,c)
- Barbican Art Gallery, London, 1983, pp. 450-467 (and b,c)
- G. Habarta, Frühere Verhältnisse, Vienna, 1996, p. 149 (b)
- A. Sherwyn, The drawing workbook: Line, Worcester, 2005, p. 30 (b)
- H. Schöttle, Kunst aktiv - kreativ, Braunschweig, 2005, p. 70 (b)
- J. Cohen (ed.), L'art et le politique interloqués, Paris, 2005 (b)
- Programme, Kunsthalle Bremen, 2012/13 (c)
- T. Briegleb, Berühmt-Berüchtigt, Hamburg, 2013, pp. 87/88 (and c)
- B. Brock, Theoreme, Er lebte, liebte, lehrte und starb. Was hat er sich dabei gedacht?, Cologne, 2017, pp. 76-79 (and b)
- M. Köttering, Hochschule für bildende Künste Hamburg seit 1767, Hamburg, p. 138 (c)
- Facing the Future, Art in Europe 1945-1968, exhibition catalogue, Tielt, 2016, p. 184 (b)
- Kronen Zeitung, Dec. 29, 1959, Vienna (b)
- Express, Dec. 29, 1959, Vienna (b)
- Bijutsu Techô, Dec. 1960, Tokyo (b)
- L'Oeil, Feb. 1961, Paris (b)
- Bijutsu Techô, June, 1963, Tokyo (c)
- Kronen Zeitung, June 29, 1963, Vienna (b)
- G. Feuerstein (Ed.), Transparent, Manuskripte f. Architektur, no. 7, 1973, Vienna, p. 10 (b)
- Le Sauvage, Oct. 1976, Paris, p. 21 (b)
- Art, no. 11, Nov. 1983, Hamburg, p. 39 (c)
- ArchideA XVIII, autumn, 1998, p. 7 (c)
- art - Das Kunstmagazin, no. 11, November 2012, Hamburg, p. 60 (b)
- Special supplement by Weser Kurier, Oct. 2012, Bremen, p. 7 (c)
- Lerchen_feld, no. 17, Dec. 2012, Hamburg, pp. 13-15 (b)
- kunst:stück, Magazin für Kunst und Kultur, Bremen + Oldenburg, no. 1, Dec./Jan. 2012/13, p. 16 (b)
- KLUB ARKEN, December, 2013, p. 4 (two pictures) (b)
Hundertwasser's comment on the work
Although it is a mural, the "Hamburg Line" belongs to ARCHITECTURE. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 1176)